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・ José María Urrutia Manzano
・ José María Urvina
・ José María Usandizaga
・ José María Valderas Martínez
・ José María Valencia Barajas
・ José María Valiente Soriano
・ José María Vallsera
・ José María Valverde
・ José María Vargas
・ José María Vargas (historian)
・ José María Vargas Vila
・ José María Velasco
・ José María Velasco Gómez
・ José María Velasco Ibarra
・ José María Velasco Ibarra Airport
José María Velasco Maidana
・ José María Verdugo
・ José María Vergara y Vergara
・ José María Vernet
・ José María Vidal
・ José María Viesca
・ José María Vigil
・ José María Vilches
・ José María Villalta Florez-Estrada
・ José María Vitier
・ José María Vélaz
・ José María Yazpik
・ José María Yáñez
・ José María Zeledón Brenes
・ José María Zárraga


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José María Velasco Maidana : ウィキペディア英語版
José María Velasco Maidana

José María Velasco Maidana (born around 1899, died 1989〔(【引用サイトリンク】title=Wara Wara )〕) was a Bolivian film director, composer, conductor, actor, painter and dancer. He was the estranged son of a Bolivian president. He was married to Texas painter, Dorothy Hood.
''Le Courrier'' describes his portrayal of indigenous Bolivians as shaped by the assimilationist ethos of his time, but also as progressive for the era, highlighting the condition of indigenous peoples, denouncing racism, and raising the question of their role in society.〔
Maidana is known for "his ballets and symphonic works, a number of which embrace national/native themes", but also for his films. He entered the cinema industry "at the very start of Bolivian fiction film production".
His first film, ''The Prophecy of the Lake'' (''La profecía del lago''), was made in 1925, on the heels of Bolivia's first ever fiction feature, Pedro Sambarino's ''Corazón Aymara'' (1925). ''The Prophecy of the Lake'' was a contemporary love story between an Aymara man and the daughter of a white landowner. The film was censored, for its "social critique" and "because it featured the love between a native man and a white woman", and was never shown. Velasco Maidana subsequently started his own production company, Urania. His next two films, ''Wara Wara'' (1930) and ''Hacia la Gloria'' (1931) were released in cinema as feature films, and ''Wara Wara'' remains "the only known surviving work from Bolivia's silent-film era". He also made short documentary films, "before returning to music".〔〔
From then on, he worked exclusively on music, and also left Bolivia to work abroad. Among his notable ballets is ''Amerindia'' (1940).
Maidana was introduced to Dorothy Hood in Mexico. He married Hood in 1946 and during that time, they traveled, following his conducting jobs which took them between Mexico City, New York and Houston, Texas.〔
In the 1960s, Maidana had to quit conducting because he was showing signs of Parkinson's disease. He and Hood moved to Houston for better medical care.〔 He died in Houston in 1989.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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